Shahnameh is the book of wisdom and sagacity. It begins with admiring knowledge and wisdom, and these two like a vital blood enliven its body. After wisdom, knowledge is considered the most significant subject in this epic work. The elevated position of knowledge and its instruction in Persian thought is clearly obvious in its narrativity as well as the wisdom of its poet. This research in five chapters presents an introduction and conclusion with a new approach which are analyzed based on a statistical method. Since we know the sources of Shahnameh are ancient Persian texts whose narrators are Zoroastrian monks, in this thesis there is an attempt to seek the background of the reflection of knowledge of Shahnameh in Zoroastrian holy texts and sources. Moreover, by studying this great work, the thesis will consider and match the Islamic thoughts of the poet of Tus about sagacity and his affectivity of ancient Iran’s culture regarding wisdom. The result of this research asserts that many of the poet’s statements about sagacity in Shahnameh, have a perfect common ground with Zoroastrian texts, Islamic texts, and ancient Persian sayings.

National identity is one of the most complex and undefined conceptions in politic literature that, sometimes is considered to try to support and rehabilitate cultural and national identify in a society. In order to provoking national sentiment and to propagating Iranian thougts, the politic men paid a remarkable attention to shahnama and to its poet during Persian constitutional revolution and first period of Pahlavi dynasty, consequently many researches with focus on Shahnama have done. It seems necessary to do an independent research due to different points of view, sometimes contradictory, about belief, nature, disposition and motivation of Ferdowsi. This research by title “Analysis and searching of thougth of poet and of Shahnama characters from the national point of view”, in three chapters, studies social backgrounds oriented to nationalism and analyzing Ferdowsi thought and some characters of Shahnama in order to respond to mistrust and unconsidered statements with radical fanaticism. The results showed that as a radical man, Ferdowsi started to write Shahnama because of present social conditions, and its nationalism does not surpass the passion for national elites and for historical traditions of his nation that was the common from of peasantry at that time. Ferdowsi did not propagate the extreme nationalist ideas, but took an important role in the rehabilitation of national identity and of history and genealogy of this nation that was in danger of being forgotten.

Abstract
Exaggeration as a literary and artistic element in lyrical poetry, especially in poems, is one of the efficient tools in order highlight words and artistic expression of the poet's emotions. Since the poet by use of these tools can show those feelings that normal language and speech do not have ability to tell it as an attractive and effective way in his poetry and express the wide range of his emotions. This thesis analyzes the element of exaggeration in the sonnets of Saadi and Hafiz as two of the most prominent poets of Persian literature's lyricism in five seasons by tables and charts. The results of this study show that exaggeration is one of the most important and widely used in both the poet's sonnets and them by utilizes images as simile and metaphor and an array of exquisite that directly or indirectly have inextricably tied with exaggerated, expression them Implications by exaggerated artistic. The two poets sometimes without utilizing from image or an array of rhetorical to show exaggeration in their lyrics, his poetry along with this artistic phenomenon in an artistic way and have given a special charm to them lyric.
 

The epic exemplum of Shahnameh especially in heroic part have different aspects of psychoanalysis in term of themes and of analyze of personages. Between these exemplum, two stories Rostam and Sohrab and Rostam and Esfandyār are more appropriate to criticize and psychoanalytic analyze than the other stories. So it's clear than one of psychoanalytic approaches to two stories is critic and analyze of their personages according to defense mechanisms that Freud had been theorized. This study, devised into five chapters, is going to criticize and to analyze personages of two stories according to defense mechanisms of Freud in order that reader could reach secret aspects of these stories and also that narrative art of Ferdowsi will be clear to researchers. The result of this study shows that the narrator, by approaching major personages of these stories, had an intellectual point of view to hidden traits and mystical motivations (self-conscious and unconscious) of personages.

Faramarz nameh( Faramarz's letter), an epic poem, in format of motaqareb that a unknown poet had been written. This work has epic aspects and contains a remarkable importance about literary and artistic aspects. This dissertation named  analyze of epic and aesthetic aspects of Faramarz nameh, by using of criterions finding in rhetoric science, is going to study totally epic value of Faramarz nameh and also to study all pictorial and aesthetic aspects and musical values. This study is divided into one preface and five chapters: the writer was studing generalityb of study in premier chapter and in chapter two, with epic definition and as an entry, making a look into the epic relation with mythology and history toward epic storytelling record, by introducing epic workarts in before-after Islam literature that provokes to continue this paper. Third chapter of thisdissertation studies unknown identity and the book of Faramarz nameh and also Faramarz personage in persian literature. Researcher studies epic aspects of Faramarz nameh in fourth chapter. Fifth chapter of this dissertation insists on analyse artistic and aesthetic aspects of Faramarz nameh in three axis: music, picture and poetic figures of speech.

foroghi bastami the thirty century well-known Persian poets who lived in qajas era. Hi had praised naserdin-shah of qajars kings and others. Hi was a lyricman and sonneteer in that era. And had followd of saadi and hafez hn their style. Love mysticism and eulogy have been the major motif and contents. Hi had derived romantical notifs by saadi and mystical by hafez. Which hi had stimulated them for his gazals. His peoms had simply reality and without ambighity complexity. On the other hand it was full of madern and noval construction so that these material were caused the author surveyed modern construction in those tastful and capable lyrics this research has been arranged into five section: the first section is included in generals principles. The second section has arranged as literary life return style. More over foroghi function in the thired section has appertained in surveying of artistic and imaging representation. In the fourth section will be poined out surveying of the poetry beautiful and cuteness in foroghi lyrics and the last section. Outside and marginal rethem will be surveyed by him-therefore bastami: foroghi lyrics have been considered and focused through using the statistical tables by the author.

Irony as an indirect and hesitate statement of various subjects, in addition to rising the artistic point of view and the fantasy of the literary speech, gives the poet and the writer the opportunity to convey and institutionalize the concepts and difficult themes by a familiar and understandable statement intensively to the mind of the audience.
Among the greatest persons in Persian literature, Molana in his valuable works used this artistic capacity and image very much. This thesis in the title of " the investigation and analysis of irony and its functions in the sonnets of Molana " studies the different kinds of irony in both quantitative and qualitative aspects in the passionate sonnets of this mystic poet.
The writer in the five chapters of this research by drawing and classifying the ironies that used in Molana's sonnets, relying on the statistics schedules has tried to give a clear image of the ironies of this work and in addition to the required evidence and analysis in chapter four, for the completion of this research, in the chapter five of his work he also added a complete cultural work of ironies of Molana's sonnets to provide the reader more chance to use and examine this issue
 

Abstract: Besides his Homay and Homayoon and Gol o Norooz, Samname, a book attributed to Khajoye Kermani, appears his story-telling ability. The subject of this story is the love between Sam of Nariman to Paridokht, the king of China's daughter. This book is written after Firdawsi's Shahname. The main questions of this study are to what extent the poet could keep the epic features in his works and to what extent he attended to lyric works. This questions are answered along to analyzing the aesthetic values of the poet's works. The writer of this research has used some statistical tables to achieve such findings. This research consists of three sections: introduction, a study on stylistic features of Samaname and utilizing figures and aesthetic in this book.

Although Rumi’s Quatrains are less seen in shadow of his other great works such a Masnavis and lyric poem (ghazaliat), but this part of his work like his lyric poems is important from several aspects, they are full of passion, very strong contents and sense and rich in features poetry and art. analyzing the Quatrains of Rumi can show us a small part of his creativity and power in Literature. This thesis by the title of Analysing Artistic and Aesthetical aspeets of Molanaיs Quatrains have close look to criticisms this part of Rumi’s poet with a statistical methods and analytical approach. This research has two part : first section by the title of “General” is a complete research about rumi and quatrains in a general way. second part by the title of Analysing Artistic and Aesthetical aspeets of Molanaיs Quatrains divided to three different subcategories, firs is “rhythm” and music in Rumi’s poet” second is “Reflection of the spiritual beauty poses in Rumi’s poet” and the third one is “ creativity in creation of poetry images in quatrains” in this research I tried to show all aspects of artistic and aesthetic angle of Rumi’s quatrains with statistical tables and required fields as much as I could.

This study refers to the reflection of Onsorolmeali's prespectives in foundamental skills of life in Qabus namih and its usefulness in contemporary life. Therefore, the researcher's efforts are gathered in two sections. The first one consists of three chapters; Family life of Onsorolmeali, personal characteristics and his book's specifications. The second section embodies a lot of the life's issues such as education, religion, ethics, family, society, physical and mental health care, the economy, personal and social rights wich are elaborated on in eight sections. The result of this research not only makes Onsorolmeali’s points of view about different issues of life known to the readers, but also helps them to achieve a real understanding of how Qabus namih is useful for our society nowadays.