The current paper is an analytic-comparative study about the thoughts and ideas of the great Persian and Islamic mystic figure Maulana Jalal Ad-Din Balkhi and the Indian but originally American mystic Dr. Deepak Chopra, which uses the teachings of eastern mysticism including Islamic and Indian and the experiences of eastern mysticism, especially that of India to treat internal and external diseases of humanity, certainly serious ones. The similarities and differences of these two mystic figures are to be analyzed and compared. The current research includes four chapters including research general guidelines, biography, works and thoughts of Maulana and Deepak Chopra, a comparison of their thoughts, and the last chapter as the conclusion.
The eastern origin of the beliefs and attitudes of Dr. Deepak Chopra towards eastern mysticism have led to his proximity to the mystic figure of the east Maulana Jalal Ad-Din Rumi wherein there would be some affinities. Series of Deepak Chopra’s teachings could be counted as compilations of western and eastern mysticisms which are considered as the emerging mysticisms at the present time.
 

Abstract:
It is too important to paraphrase a literary text in a simple and perceptible language for children. The reason is to getting them familiar with culture, values and the civilization of their own countries; especially when children’s personality is getting shaped. One of these precious books is Kelile and Demneh, a book full of ethics, social principles and teachings in anecdotes and stories. In this research we are going to paraphrase some of its stories through innovative principles, and in this way it will be diagnose whether an innovative paraphrase of the texts is capable of presenting the main message of the ancient texts or not? In the beginning, Kelile and Demneh is introduced as an appropriate text for paraphrasing and then children’s literature, fiction, etymology, identification and general principles in paraphrasing were examined. At the end, we would cover the childish paraphrase of Kelile and Demneh in a creative language
 

Abstract
Ahmad Shamloo influenced the other contemporary authors, poets and translators with his incontestable dominance over different cultural dimensions. His unique manner of working, style of expression, way of reproduction in the translation of foreign literatures encourage us to choose him as a dissertation. Shamloo by dominating over slangy language due to his relationship with people could translate a Russian artwork with such skill and competence that as if reader by reading it, thinks face to a Persian oeuvre and there is no translation. Using of vulgar expressions, allegories and examples make this translation of “And quiet flows the Don” unparalleled. The translation that is completely similar to original text. This research has eight chapters. The premier chapter contains considerations of study that its purpose is to inform audience to subject and its purposes of dissertation. The second chapter includes definition of culture specially of folklore. The third chapter contains life of Shamloo, his oeuvres and his intention to folklore. The fourth chapter studies on slangy definitions and military expressions used in translation of “And quiet flows the Don”. The fifth chapter on proverbs used in translation of this roman. The sixth chapter studies allegories. The seventh chapter insists on anthems and chansons used by Shamloo in this oeuvre. The eighth and final chapter studies the curses and profanities used in translation of this roman.
 

By studing the works majority of the poels as individuals in societies getting affected direetiy and indirectiy by the adven tures arouud we can see the reflection of these events in their works this thes is deals with the reflection of his torical events in the most famaus centuries poets sanayi annary jamalodin isfahani and khaghani .these poets were related to the courts they used to cowpete each other to keep their position in the courts .this competition can be as studying various sciences like history so it is naturad to see the effect of the effect of the historical events in their works .by the way .some of them hava witnessed some the events.this thesis discusses the different ways of the effect of historical events in the works of the abone –mentioned poets.it is worth mentioning that each of the poets is studied in a seprated chapter.

Molavi and Ibn Faridh lived in the seventh century A.L.H/thirteenth century AD when mystical thoughts culminated in Muslim societies. Because of their acquaintance with mysticism via the predecessors' mystical ideas especially Ibn Arabi's , Molavi and Ibn Faridh both have come up with similar thoughts and ideas. The other reason is that they had acquired significant mystical experiences and positionls. Unity of Existence (vahdat-i vojud) undelies these two poets' worldviews, which turns into Unity of Intuition (vsdat-i shohud) through Divine Love. One of the other ideas common in Molavi and Ibn Faridh's mystical perspective is the idea of Perfect Human and his characteristics. These two thinkers also have chiefly similar views on issues such as mortification of the flesh, soul, Revelation (wahy), and sama' .The first chapter of the present research deals with the universals and methodology of the study. In order to better understand Molavi and Ibn Faridh's ideas, the second chapter provides some universals of Ibn Arabi's thoughts and biographies of Molavi and Ibn Faridh.The third chapter is of great importance for a solid understanding of Molavi and Ibn Faridh's underlying views. This chapter deals with Unity of Existence in the sight of Molavi, Ibn Faridh, and Ibn Arabi. The fourth chapter eloborates on love in the sight of Molavi and Ibn Faridh.The fifth chapter considers Perfect Human and his characteristics based on Molavi and Ibn Faridh's opinions.And finally, the sixth chapter deals with such issues as sama', Revelation(wahy), drunkardness, mortification of the flesh and interpretation(ta'avil).

This study was dedicated to analytically- comparatively symbols consideration in mehdi Akhavan saleth’s poem and Badr shaker al- siab- Author dealt with generals in the first chapter and moved on nature joining, myth and masking with symbol following presenting a clear definition of symbols, sings, and proverbs and considering symbols in western literature and its reflection in the Persian and Arabic ones in the second chapter. In the third chapter of this study we dealt with social political and literatural conditions of both Akhavan saleth’s and Badr shaker al- siab’s period as well as introducing both poets and their poet books to analyze and interprete their poem symbols as beter as possible after knowing their periods of time, themselves and their literatural effects. In the forth capter: its dedicated to comparatively taking into consideration symbols in poems of mehdi Akhavan saleth and Badr shaker al- siab and their common and different aspects were regarded the end of each comparision and conclusions were presented at the end of study.