اعضای هیئت علمی - دانشکده ادبیات و علوم انسانی
Professor
Update: 2025-05-08
parven golizadeh
دانشكده ادبیات و علوم انسانی / گروه زبان و ادبیات فارسی
P.H.D dissertations
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تحلیل فرانقش اندیشگانی در آثار منثور مولوی بر مبنای دستور نقشگرای نظام مند هلیدی
خدیجه احمدی انجیركی 1403 -
بررسی و تحلیل مسالۀ نهانكاریِ شخصیت زن در رمان معاصر فارسی ( با تاكید بر رمانهای چشمهایش، سووشون، سال بلوا، )
سمیه ادینه وند 1403 -
بررسی و تحلیل اندیشه ی زنانه در شعر شاعران زن معاصر با تاکید بر شعر فروغ فرخ زاد،سیمین بهبهانی،پروین اعتصامی،ژاله قاىٔم مقامی و طاهره صفارزاده
مریم اشكانی 1401 -
تحلیلِ تطبیقی دگردیسی داستانهای مثنوی مولوی و مثنوی های عطار در انطباق با روایتهای عامه
زیبا صالح پور 1401 -
بررسی و تحلیل جنبه های هنری و زیبایی شناسی سوگواره های منثور در مهم ترین متون ادبی از آغاز تا قرن هشتم هـ.)
ابراهیم سروستانی تك 1400 -
بررسی و تحلیل نشانههای رئالیسم جادویی در متون منثور عرفانی (با تکیه بر اسرارالتوحید، کشفالمحجوب، رسالهی قشیریه، مصباحالهدایه و مرصادالعباد)
زینب رحمتی 1400 -
بررسی کارکردهای ترکیبات اشتقاقی در شعر شاعران سبک هندی با تکیه بر شعر صائب تبریزی، بیدل دهلوی، طالب آملی، کلیم کاشانی
رضا گورویی 1399 -
تحلیل بلاغی و تأویلی نمادهای برجسته در مثنوی مولانا
سعادتی جبلی-افسانه 1396Circle, Stone, Beastiality are three artistic symbols that propose in visual arts. Mawlana is used artistically and intelligently all of three symbols for his aims. Some of his symbols such as the sun and moon (circle), king and fish (living), mountain (stone) are more remarkable than the other images: so that we can say that these images became subjective key words (macho symbol) in mind of magnetic mystic. Mawlana is refusing at these symbols and whereby is salving. Symbols in the poem of Mawlana are as recourse that more than meaning is giving less than words. By describing, readers are stopping and drawing in a mystical universe of the poet. Symbol repetition, such as sun, moon, king, fish and mountain in the Mathnawi encourages a soft melody which contributes to balance and the transfer of meaning. These symbols have could detect pure and mystical experience of Mawlana. Mawlana with active imagination has discovered the capacity of words and to widen of meaning is transmitting it from mentally and linguistic charter. He is designing a contexture without a pattern. Prismatic and Floating symbols in mystical, mythical, religious regions with psychoanalytic deep structure have converted it as an artistic and costly board and dynamic context; so that every reader could find a logical relation between symbol and implied in attention to his deep Knowles. In vast areas of the Mathnawi of Mawlana, these symbols imply sprite. Sometimes it is sublimating and is implying God. Key and artistic images by magic attraction are assuring readers. Earning of immaterial are caused readers find themselves in throughout of Mathnavi
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بررسی سیر تحوّل شعر عاشورایی از سال 1340 تا سال 1391 شمسی
انسیه جهان تیغ 1394Ashura poems have been composed in different periods and different languages. In Persian language, because of the Iranians and Persian speakers' interest in Shia, this kind of poems has been increased exclusively. In different periods because of political, social, cultural as well as literary changes, this kind of poetry has changed a lot. In Ashura poetry this event has been linked to the different political events and because of social and political evolutions, different studies have been accomplished and have focused on different points of this event.
Furthermore, literary evolutions and creating new forms, tropes, subjects and comments have made a revolution in literary poems.
Ashura poems in contemporary period have never left behind from literary stream and does not show strict and inflexible shape.
In this thesis we tried to illustrate Ashura poems from different views like form, language and other ideological stylistics in 1340 up to 1391. The aim was to analyze if Ashura poetry have been successful in making a new considerable pattern in any dimensions or not during 50 years based on the achieved results.
Anyway dynamism and evolution are considered as the main characteristics of Ashura poems. This dynamism and evolution in structure and meaning of contemporary Ashura poems is obvious and apparent. However these evolutions depend on poets and there is no routine stream in this kind of poems and classical and modern poets have been composed on this field simultaneously.
Master Theses
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تحلیل عناصر رمزگونه و فوق طبیعی در مثنوی معنوی
سهیلا چلداوی 1403 -
ارزشها و ضد ارزشها در مثنوی مولانا
زهرا امیدخدادزفولی 1403 -
بررسی معرفت شناسی عرفانی در آثار مولوی و عبدالرحمان جامی (با تكیه بر دفتر اول و دوم مثنوی مولوی و سلسله الذهب و تحفه الاحرارعبدالرحمان جامی)
محمد قمشی بزرگ 1402 -
مطالعه تحلیلی ـ مقایسهای جنسیت در گفتگوهای اجتماعی ادبیات داستانی دوره پهلوی با تکیه بر آثار صادق هدایت و جلال آل احمد
شیرین خدری 1399 -
بررسی تاثیر سخن بر روح و روان و کیفیت زندگی از دیدگاه مولانا با تکیه بر مثنوی ، فیه ما فیه و غزلیات شمس
لیلا تندسی 1397 -
مقایسه و تحلیل اندیشه های تعلیمی مخزن الاسرار نظامی با بوستان سعدی
نسرین درخشان نیا 1397 -
بررسی تطبیقی کنش ها و رفتارهای عاشق و معشوق در منظومه ی ویس و رامین با خسرو و شیرین نظامی
مریم خوشنود 1397 -
بررسی تطبیقی غزلیات عارفانه ی سنایی با غزلیات عارفانه ی عطار از دیدگاه ساختاری و محتوایی
آیت اله فرهادی 1395Explain the operations , similarities and differences in structure and content Sanai`s and Attar`s mystical sonnets sonnet. As well as the formation of mystical sonnet from history , in Short be examined and one of the things that constantly , especially in sonnet poetry and Persian literatureis , there is a mystical contemplation and mystical themes. Sanai Important role as leader of the mystical poetry , that was the transformation of content in The form of a poem such as: sonnet , masnavi ,and ode , after he was regarded poets. in the Mystical sonnets of Sanai , moral sonnets or the so-called mystical that later through poets From Khaghani , Nezami , Attar and Molavi to culminate. Attars mystical sonnets , Accompanied with more spiritual heights and more advanced than Sanai .( in) the research Has tried to better understand the features and functions Sanai mystical sonnets. if we now Look to the beautiful , sweet and tender poems , from poems such Attars , Molavi and Hafez , more is for Sanai mystical sonnets .
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نگرشی انتقادی به جایگاه نفس در دیدگاه سنایی و مولوی( با تاکید بر حدیقه و مثنوی)
مصطفی قیصری 1395<p> Self, one of the prominent themes in Persian language literature, especially mystical literature, and many poets and writers have paid special attention to it and have it in their works. Sanai and Moulavi two mystic literati or mystics literary are, which in the mystical literature created works, some of which, like Hadyghatolhadigha and Masnavi Ma'navi, the most known and most influential works of mystical literature in Persian language and among literati and mystics are a special place. The two poets, especially Moulavi in his works long and carefully examined the subject of the self and their perception of the nature it raised and guidelines and orders on how to deal the human, with it what it knew self have offered; But their statement, in some cases worthy criticism and review and the impressions of special which self are and in the guidelines and orders that deal with self presented, bugs and flaws there and this two poets, sometimes in his sayings have gone the way indulgence and rigor. In this study, the library method, description and explanation has been done is attempted with critical eye Sanai and Moulavi impressions of self to be explored. The aim of this study, reviews literati the teachings on society. The results showed that many of teachings of the poets and writers detrimental impact on the individual and society.</p>
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بررسی و مقایسه همانندی های مفهومی میان کیمیای سعادت غزالی و مثنوی مولوی
سیده زینب موسوی هاشمی 1395Abstract:
Ghazali in Kimiya-saadat and Molavi in Masnavi Manavi think over a common goal which is Quranic teaching; with intervals of two hundred years. One in prose and the other in verse. Two coincident opinions which believe that celestial spirit has the capability to distance forward difficulties one by one on the way back to their origins to avoid the fatal just with the help of good deeds and acts of worship. This study will evaluate and compare the similarities of two works by postulating Kimiya-saadat; so that after studying each section of Kimiya-saadat; there will be a search in Masnavi and by finding a common content, there will be an attempt to insert them next to each other. On this basis and due to the high volume of Masnavi, this dealing can help better understanding of two contents in addition to use contents which are widely ethical, easily and quickly. Also, taking steps toward highlighting the spiritual aspects of Sufism and citing the weak hadiths are from the common strategies of these two works based on postulating awareness or public encouragements.
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بررسی اصول نظری و آداب عملی در مثنوی معنوی و کشف المحجوب
مجتبی قیصری 1395This study is to compare the theoretical and practical ideas Hujwiri and Molavi in the book Kashf al-Mahjub and Masnavi Ma'navi pays. In this study the concept and limits of theoretical and practical erfan to help scientific resources will be determined and then the components of the theory and practical practices will be investigated in two books.one way of understanding the book Masnavi Ma'navi prior to the works that were written in the context of mysticism. among these works can be noted in the book Kashf al-Mahjub. The aim of this study was to compare the two books Kashf al-Mahjub and the Masnavi Ma'navi in order to identify more Masnavi Ma'navi based on earlier works and recognizing the impact of the book is already Masnavi Ma'navi. The population in this study is in the Kashf al-Mahjub and the Masnavi Ma'navi. The method of research libraries, is descriptive and explanatory.The results of this study showed that there is little difference between theoretical and practical books have many similarities and most of the Kashf al-Mahjub Hjvyry, scientific and theoretical and author in the expression Reviews of their own practical ideas expressed; But in Masnavi Ma'navi part a reflection hobby and Pleasure more and this shows that the Masnavi Ma'navi approach reflects the practical mysticism.
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بازتاب آداب عملی صوفیه در شعر فارسی از آغاز تا پایان قرن هشتم
پرچمی-اصغر 1393From the early parts of six century, mysticism(Sufism) became one of main topics in Persian poetry. So poets of unfamiliar with mysticism(sufiyane) worlds get busy to test of gift about it also. With currency of mysticism(Sufism) among of poets, naturally particular culture, ceremonies and customs of sufiye appeared in their poems that its frequency is different with due attention to personality, world view and familiarity of every poet with theoretical and practical training of sufiye. In this research that accomplished for access to this same frequency, distinguished poets of mystic (Sufi) considered from Sanaee to Hafez and after of classification of practical customs that extracted of prominent books that wrote in this connection like Ovrad-al ahbab and Mesbah –al hedayah and the like the whole versified works of this poets, page to page and verse to verse studied and deliberated for search of evidences of this connection and evidences of concern to every one of practical customs located in bottom of it with presentation a segment of explanation in necessary places and in the end specified that every one of poets had a more notice with due attention to belifes and necessitation of their climate of time to one of practical customs. And observed public a difference in reflection of practical customs of sufiye among of one group of poets that had convention educational and other group that more dependented to the theoretical aspect of mysticism(Sufism). This research accomplished in three parts. First part include of the wholes of research. Name of second part is introduction on mysticism(Sufism) and in it accomplished short introduction of mysticism(Sufism). Third part and the most important part of research is practical customs and its reflection in Persian poetry that in this part in oddition to informations concern practical customs, mentioned poetry evidences.
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زن به روایت زنان داستاننویس ایرانی (مجموعهداستانهای کوتاه 1327-1390)
بهاره اله بخش زاده 1393Due to the fact that, men were the literary works creator were mostly, before entry women to literature field, women and their life, has been described and analysedin their works with a male attitude; researching about women characters in women novelist’s short story is important because in these stories, woman and their problems review in a womanish attitude. In the research that done on Iranian woman novelists’s independent collections of short stories from 1327 to 1390, due to the feminist thought in woman novelists’s stories, first investigated history, Principles, Intellectual foundations of feminism and Its various branches and it’s historical contexts and log in feminist ideas to Iran and also confrontation of feminism with islamic thought and then researched various aspects of woman’s life in this works, from female characteristics to legal and moral Issues. Different aspects of daily life of women are considered in women’s stories; e.g. female characteristics, legal and ethical issues. By two different attitudes, sociology and feminist point of view, this research has been covered the side effects of pregnancy and delivery problem, girl creation, infertility, impacts of beauty, use of cosmetics and surgeries. In addition, different roles of female characters in a family, e.g. wife and mother, pros and cons comments on working women, being house wife. religious point of view are discussed. Women writers have been remonstrance against those aforementioned civil law that investigated these objections in the stories. Moreover, in some of the stories, deviation from religious, customary, and ethical point of view has been pointe; Although bringing up these kinds of abnormalities is very common, in women’s stories, these abnormalities are studies in a family and in connection with the family.
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فرهنگ ترکیبات اشتقاقی در مثنوی مولوی
رضا گورویی 1392Maulana is one of the pillars of Persian literature on various aspects of mysticism, poetic eloquence, musical mastery and unparalleled. More secrets and mysteries of grace researchers lies in the perception of the meaning of mysticism in his poetry. The building's Masnavi less attention to that particular aspect of the language is its extensive mix of arts. This means Maulana language based on the theory theorists analysis is performed. One component is highlighting the views of Russian extremists. Maulana , the combination of this principle is the most used and most of his compositions to follow this principle, the audience is offered. In addition to highlighting Maulana create derivative compounds other purposes such as rhyme and stockpiling fill the void by weight, modern and dynamic word and beautify the face, form and rhetoric of a language. Composition of Maulana's Masnavi in this thesis, such as the following: Affix combinations and pseudo Affixes, short compound adjectives nominative, accusative adjectives compound, compound nominal, adjectival compounds, infinitival and hybrid combinations of words are investigated. In the end, comes to the conclusion that Maulana's Masnavi has numerous pristine compound indicates that the field of rhetoric and language arts because he is instrumental superstructure. Composition of consecutive poet, artist, ahead of a new poetic language that he has to be carefully contemplate the beauty of Maulana's poetry can be seen more. Thus the dominant language means that the composition of the Masnavi.
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بازتاب نیایش و نجواهای عاشقانه در مثنوی با تکیه بر نکات بلاغی
راضیه آدینه 1391 -
بررسی بازتاب شاهنامهی فردوسی در فرهنگ عامه ی بختیاری
محمدعلی سلیمانی 1391 -
بازتاب اخلاقیات عرفی در مثنوی مولوی
شیرین بنی اسد 1391 -
بازتاب دیدگاههای فلسفی در اندیشههای مولانا
لیلا عبداله زاده رامهرمزی 1390 -
بررسی وتحلیل تمثیل های مثنوی مولوی
الهه شیرمحمدی 1390 -
فرهنگ نامهی واژگان، ترکیبات، کنایات و اصطلاحات دیوان اثیرالدین آخسیکتی
شهرناز رحیمی 1387 -
تجلی عرفان و مضامین عرفانی در شعر معاصر (از نیما تا دهه 70)
فاطمه شهبازی 1387 -
فرهنگ نامه لغات و ترکیبات و کنایات دیوان قطری تبریزی
اعظم عظیمی شوشتری 1386 -
فرهنگنامة لغات، ترکیبات و تعبیرات دیوان کمالالدین اسماعیل اصفهانی
هادی سعیدیان داودی 1385